Self-released digitally in late January of 2018 and released in limited quantity on CD and Cassette in Russia, Redefining Darkness Records are proud to announce Wombripper's "From the Depths of Flesh" Special Extended Edition featuring 2 brand new previously unreleased tracks, and a 3rd bonus track "Morbid Aberration" taken from a Split release with Torn Apart in August of 2017.
For fans of Rotten Sound, Dismember, and Entrails
"This fledgling Russian death metal band describe themselves “Pure HM-2 sound Old School Death Metal” and that is more or less all you really need to know before jumping into their debut full-length. I find that folks either live by the ultra-overdriven multi-tracked Swedish signature sound, or they’re bored with it. I’m pretty much in the middle where find the buzzsaw sound, pioneered by Uffe Cederlund/Tomas Skogsberg, powerful within music of varied pace and mind-numblingly useless otherwise. Wombripper’s riffing is such that it feels less tuned to their guitar sound than they suggest, and it could work just as well without it. In fact, they might be better off without it.
‘From the Depths of Flesh’ is immediately familiar territory that bands like Fleshcrawl and Horrid have explored in depth but they keep it interesting with a few melodic benders and some...
Wombripper is:
Dan – guitar, vox
Konstantin – bass
Ivan – guitar
A.V. Petrov – drums
Tracks 1-9 recorded, mixed and mastered by Kostek Dolganov at Hiboll Studio,
Saint-Petersburg, Russia in March 2017
* "Shredded Corpse Remains" & "Already Dead" were recorded at A2 Studio, Nizhny Novgorod, Russia in March 2018
Mixed and mastered by Kostek Dolganov at Hiboll Studio,
Saint-Petersburg, Russia in March 2018
** "Morbid Aberration" was recorded at ALT Studio, Nizhny Novgorod, Russia in June 2017
Mixed and mastered by Kostek Dolganov at Hiboll Studio,
Saint-Petersburg, Russia in July 2017
"Morbid Aberration" originally appeared on the Wombripper / Torn Apart Split, August 2017
Cover artwork by Tanya Osipova
Additional artwork by Dismembered Art
Photos by Evgeny Smersh, Dmitry Troitsky, Darya Rodionova, Valera Spherichesky
Thanks and hails go to everyone who supports the band and helps the band in any way. You know who you are.
For fans of Rotten Sound, Dismember, and Entrails
"This fledgling Russian death metal band describe themselves “Pure HM-2 sound Old School Death Metal” and that is more or less all you really need to know before jumping into their debut full-length. I find that folks either live by the ultra-overdriven multi-tracked Swedish signature sound, or they’re bored with it. I’m pretty much in the middle where find the buzzsaw sound, pioneered by Uffe Cederlund/Tomas Skogsberg, powerful within music of varied pace and mind-numblingly useless otherwise. Wombripper’s riffing is such that it feels less tuned to their guitar sound than they suggest, and it could work just as well without it. In fact, they might be better off without it.
‘From the Depths of Flesh’ is immediately familiar territory that bands like Fleshcrawl and Horrid have explored in depth but they keep it interesting with a few melodic benders and some...
Wombripper is:
Dan – guitar, vox
Konstantin – bass
Ivan – guitar
A.V. Petrov – drums
Tracks 1-9 recorded, mixed and mastered by Kostek Dolganov at Hiboll Studio,
Saint-Petersburg, Russia in March 2017
* "Shredded Corpse Remains" & "Already Dead" were recorded at A2 Studio, Nizhny Novgorod, Russia in March 2018
Mixed and mastered by Kostek Dolganov at Hiboll Studio,
Saint-Petersburg, Russia in March 2018
** "Morbid Aberration" was recorded at ALT Studio, Nizhny Novgorod, Russia in June 2017
Mixed and mastered by Kostek Dolganov at Hiboll Studio,
Saint-Petersburg, Russia in July 2017
"Morbid Aberration" originally appeared on the Wombripper / Torn Apart Split, August 2017
Cover artwork by Tanya Osipova
Additional artwork by Dismembered Art
Photos by Evgeny Smersh, Dmitry Troitsky, Darya Rodionova, Valera Spherichesky
Thanks and hails go to everyone who supports the band and helps the band in any way. You know who you are.
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