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As on their previous records, “Swollen, In Flux” is enriched by contributions from guests, old and new: Golden Fawn lends her powerful yet ethereal vocals once again, while Logan Pintor adds color to some compositions with his trumpet.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eSEVEN CHAINS’ blackened death metal is a jumble of electricity that coalesces and takes shape around skewed, paroxysmal riffs, hammered by a cohesive and powerful rhythm section. 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Mutatiis’ signature black-doom melancholia is given kosmische inflection in “Ascenturion”, a seventeen-minute composition imbued with a pathos both ancient and futuristic. Twisting and turning through uncharted new worlds with seemingly effortless grace, this is ELYSIAN BLAZE at its most adventurous and cinematic. This work also hints at the future, as the long-awaited full-length follow-up to 2012’s “Blood Geometry” reaches its final stages of completion.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eEight years since their debut, PANEGYRIST unveils their maximalist devotional ethos in matured and intensified form. While raising higher the bright peaks of the symphonic and avant-garde, a redoubled aggression anchors dizzying polyphony in riff-driven ferocity. 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The name of the project is inspired on something they read in the preface of Hegel's Phenomenology of Spirit: \"The life of God and divine cognition may well be spoken of as a disporting of love with itself; but this idea sinks into mere edification, and even insipidity, if it lacks the seriousness, the suffering, the patience, and the labor of the negative.\"\u003cbr\u003eThe name of the band's first full-length album, \"The Triumph of Time and the Disillusioned,\" is instead inspired by Händel's piece entitled \"The Triumph of Time and Disillusion.\"\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eWith such premises, it is easy to imagine how LABOR OF THE NEGATIVE’s black metal sounds harsh and intellectual, adventurous and creative, dark and illuminating, all at the same time. 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Pierre Arèse, one of the original drummers, is no longer playing and is replaced by guest musician, the prolific and expressive percussionist Dirk Wachtelaer, who engages in a transcendental and martial percussion duel with Sébastien Schmit.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eWith a title inspired by the cover painting of the same name by the great Daniele Valeriani, \"Nāgabhūtaṃ\" —a term that combines the words nāga (serpent) and bhūtaṃ (to become)— is a magical ritual of spiritual transformation, a symbolic mutation in which the divine takes on evil connotations, perfectly described by NEPTUANIAN MAXIMALISM in their evocative shape-shifting drone doom with jazz and psychedelic flavours.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e1. Devānām madhye nāgabhūtaṃ dṛṣṭvā te bibhyati - XI (04:17)\u003cbr\u003e2. Devānām madhye nāgabhūtaṃ dṛṣṭvā te bibhyati - XII (03:47)\u003cbr\u003e3. 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